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'A Very Long Engagement - 2 Disc Edition [2004]' starring Audrey Tautou and directed by Jean-Pierre Jeunet. (StaEAN 7321900389723)

This is one of my all time favourite films. It is beautifully shot and acted with many interweaving stories and plots. A fantastic film.

Though this film is from the creator of Amelie (another wonderful film) and stars the same lead actress, its has a very different atmosphere, though the style is distinctly Jeunet. It is filmed poetically, and should be appreciated for the all round excellence of acting, plot and vision. It also illustrates the pains and sacrifices of war, and is a tear-jerker in the most unexpected moments. As with Amelie, each character has their own story to be told(including the house hold dog) which enriches the film's quality. A must see for anyone with a love of films which go beyond the conventional.

I rarely give five stars, but I feel that this film deserves it for a number of reasons.

It is both a fantastic spectacle, and at the same time very moving. In essence it is a love story set against the background of trench warfare on the western front in 1917. After the war, Matilda (played by the beautiful Audrey Tautou), a young woman from rural Brittany seeks to prove that her lover Manech (played by the equally beautiful Gaspard Ulliel) is not dead. Ulliel is a superb actor, who I first noticed when he seduced/was seduced by Charlotte Rampling in the comedy "Summer Things". His naive charm in this film moved this reviewer to tears.

Other reviewers have commented on how the first viewings can be confusing as you try to juggle the lives and subsequent histories of Ulliel's companions in the trench to find out if and how he survived. In this respect the central filling of this film's sandwich is not unlike an Agatha Christie murder mystery. But the beauty of this film is that repeated viewings enhance the experience, for it is shot in a beautiful autumn shimmer, with marvellous views of the Breton countryside and seascapes. The recreation of 1920s Parisian landmarks is a triumph of artistry and just goes to show how CGI can now enhance film.

One word about the editions. I would recommend the two-disc special edition. The extras are definitely worth it, showing how clever the production team has been in creating the brilliant effects both on the battlefield and off.

Some have complained about the apparent frivolousness of an Amelie-approach to World War One. Yes, Jean Pierre Jeunet does seem to have a signature in this film that mirrors his earlier work on Amelie, in particular the intorduction of trivial and yet interesting characteristics of his players, and the often hyperactive camera work, where the camera is never restful for long. But on balance I think the criticism is unfair. The film clearly shows the harrowing ordeal of life in the trenches and the injustices that were endured by the troops. The behind-the-scenes documentary clearly demonstrates the strenuous efforts that were made to portray the experiences in as realistic a light as possible. And it is ultimately Ulliel's experiences as shown in the film that makes the story all the more moving, not less.

I work in an arts cinema and see well over one hundred films there a year: this was my film of 2004.

I bought this when someone recomended it to me after I spoke to them about Amelie, and I'm grateful for the recomendation. Having to watch with one eye on the subtitles and only one on the action made it difficult to follow at times, but it does reward repeated viewings (and I should work on improving my French). The ending is just ambiguous enough not to fall into cliche.

My only complaint, and it's a minor one, is that I felt the somewhat surreal quirkiness that gave Amelie its charm was not always appropriate for the darker subject of this film, hence only four stars.

At first I thought I wouldn't like the film as the beginning is very bleak and violent with a long scene depicting the trenches in the First World War: it reminded me of the opening sequence of the film "Saving Private Ryan". The number of characters introduced during the opening sequences makes the story a bit complicated as one tries to remember who is who as they reappear later in the film. However, as the story unfolded I got more engrossed as to how the film would end. It's a high budget film with lots of impressive scenes, not least the war sequences, but also the streets of Paris in the 1920s full of authentic vehicles and lots of people. A cameo performance to look out for is Jodie Foster apparently speaking impeccable French!
Overall a moving story, excellently acted.